If you are searching for China P10 LED display manufacturers because you need an outdoor P10 LED screen for a shop front in Mong Kok, a warehouse gate in Kwai Chung, or a scoreboard at a school sports ground in the New Territories, this page was written for exactly that situation. People type "P10 LED display price per square metre", "P10 outdoor LED module 320x160", "China LED screen supplier Hong Kong", "P10 vs P8 which is better for outdoor" — and they land on pages that talk about pixels without ever talking about what happens when a typhoon hits. We have bought, installed, argued over, and replaced these screens, so the view here comes from hands-on experience rather than a factory brochure. What follows mixes questions we were asked with answers we wish someone had given us earlier, plus a few blunt tables so you can compare without reading three hundred lines of marketing text.
P10 means the dot pitch is 10 mm — centre to centre of one LED lamp to the next. Standard full-colour module is 320 mm × 160 mm, 32 dots by 16 dots, and the common cabinet is 960 mm × 960 mm (some factories still do 1000×1000 or 960×960 steel cabinets for old-style fixed installs). Because the pitch is coarse, the viewing distance that looks "normal" is roughly 10 to 30 metres, which is why P10 survives on building façades, highway gantries, car-park entrance signs, stadium perimeter boards, and large warehouse walls where nobody stands closer than a bus length. Factories push it because the yield is high, the lamp count per square metre is only 10,000 dots, and the price per square metre lands low enough that a buyer can approve it on a Tuesday and have it shipped by Friday. That is both its strength and its trap — cheap enough to buy fast, coarse enough to regret if you put it where people stand five metres away.
One thing worth saying plain: P10 is not a quality level, it is a spacing. Two P10 screens side by side can differ by three times in price because of the lamp brand (Nationstar vs unknown), the driver IC (MBI5124/ICN2038 vs generic), whether the mask is black-face or not, whether the PCB is 2 oz copper, whether the cabinet is die-cast aluminium or painted mild steel, and whether the power supply is Mean Well / Great Power spec or a nameless box. The pitch tells you nothing about those. That is the first thing most buyers miss.
| Item | What you usually get | What you should ask for |
|---|---|---|
| Pixel pitch | 10 mm | 10 mm, confirm module 320×160 mm |
| Dots per m² | 10,000 | Confirm, and ask for dot-correction report |
| Cabinet | 960×960 mm or 1000×1000 mm | Die-cast aluminium, front/rear service stated |
| Brightness | 4,500–5,500 nits claimed | ≥6,000 nits for unshaded HK south-facing wall, ask for test video |
| Refresh rate | 1,920 Hz | ≥3,840 Hz if you film it or broadcast it |
| Grey scale | 14–16 bit | 16 bit preferred for smooth gradients |
| IP rating | IP65 front | IP65 front + IP54 rear minimum; coastal site → ask about salt-spray treatment |
| Lamp | SMD2727 or SMD3535 | Nationstar / Kinglight grade A, ask for batch number |
| Driver IC | Generic | MBI series, ask datasheet |
| Power supply | 5 V 40 A generic | Branded, with PFC, and derated to 80% load |
| Operating temp | -20~+60 °C | Confirm fan or natural cooling; fanless runs quieter and fails less |
| Viewing angle | 140°/120° | Ask for actual measured, not the lamp datasheet number |
| Warranty | "2 years" written loosely | 2–3 years with spare modules and clear DOA terms |
We once accepted "IP65" on paper and got a screen where the rear door seals were basically decorative. After one afternoon squall in Tuen Mun the receiving card had water inside. Now we photograph the seal profile before production starts. Sounds fussy. It is cheaper than flying a technician up a scaffold.
This is where we get careful. We will not rank them like a shopping list because the right factory depends on your square metres, your budget, and whether you want one screen or twenty. But the names that come up repeatedly in real tenders, and the lane each one sits in, look like this:
| Manufacturer | Where they sit | Good fit for | Watch out for |
|---|---|---|---|
| Unilumin (Shenzhen) | Top-tier, listed | Large fixed installs, stadiums, transport hubs | Price premium; small jobs get less attention |
| Leyard / Planar group | Top-tier | Control rooms, fine pitch, big projects | P10 is not their main fight; may route you elsewhere |
| Absen (Shenzhen) | Top-tier, strong export | Rental & fixed, good overseas support network | MOQ and lead time rigidity |
| Ledman, Liantronics | Upper-mid | Signage, sports, government jobs | Verify who actually handles your after-sales |
| Qiangli Ju, HQG, CDColor, LightS | Mid-tier | Shop fronts, warehouses, perimeter boards | Quality varies by batch; inspect or send an agent |
| Module/assembly houses in Bao'an & Guangming | Low-mid | Tight budget, simple single-colour or basic full colour | You are buying assembly skill, not engineering depth |
| Single-colour P10 sign makers | Commodity | Price boards, bus stops, text-only scrolling signs | Full-colour expectations will be disappointed |
The honest note: for a standard outdoor P10 job of 20–60 m², a competent mid-tier Shenzhen factory will usually deliver the same visible result as a top-tier brand at a noticeably lower price, provided you lock the bill of materials in writing. The top brands earn their money on reliability at scale, on certification packages, and on not having the buyer chase anyone when something fails. If your screen is on a public building and a failure becomes a news story, pay the premium. If it is behind a fence at a logistics yard, the mid-tier route is rational. We have done both. Neither ended badly, because the paperwork was done properly in both cases.
Price per square metre is the number buyers fixate on, and it is the least useful number until you know what is inside it. A rough band for full-colour outdoor P10, FOB Shenzhen, in today's market:
| Configuration | Approx. FOB price per m² | Typical use |
|---|---|---|
| Single-colour P10 text module, basic | Very low | Price boards, text signs |
| Full colour P10, economy lamps, steel cabinet | Low | Temporary, low-budget signage |
| Full colour P10, Nationstar lamps, die-cast cabinet, 3,840 Hz | Mid | Shop front, warehouse, perimeter board |
| Full colour P10, high brightness 7,000+ nits, fanless, coastal treatment | High | South-facing façade, coastal site, broadcast adjacent |
| Rental P10 with flight case, quick lock, front service | Higher per m² but reusable | Events, touring, temporary structures |
Those bands move with panel prices and exchange rates, and they do not include shipping, Hong Kong installation, scaffolding, electrical work, or the controller. And here is the thing that catches people: the controller, sending cards, video processor, and structural steel often add 25–40% on top of the screen cost, and nobody mentions it until the invoice arrives. Ask for a "fully commissioned price" early, meaning screen plus control system plus spares plus crate, and compare those numbers instead of the per-square-metre figure.
Also: HKD/RMB swings matter. A 5% move in the exchange rate on a HK$300,000 job is HK$15,000 that disappears into nowhere. Lock the currency in the proforma.
Yes, and this is the part that brochures from inland factories do not account for. Hong Kong gives you high humidity, sudden heavy rain, salt air on the west and south coasts, direct sun that pushes cabinet internal temperature well above ambient, and typhoon wind loads that turn a poorly braced screen into a sail. So:
Brightness: a south-facing wall with no shade needs more nits than the standard 5,000 quote, otherwise the screen looks washed out from 11 am to 3 pm. But do not just crank brightness — higher brightness means more heat, more heat means faster lumen depreciation and shorter PSU life. The correct fix is higher efficiency lamps plus auto-brightness sensor tied to a light probe, so it runs lower at night. That saves power and saves the LEDs.
Cooling: fanless natural convection cabinets fail less often in dusty, humid air because there is no fan bearing to seize and no forced path for moist air. If fans are used, ask for filtered, removable, and easily replaceable units, and order spare fans with the screen.
Corrosion: coastal sites should specify conformal coating on the driver board and stainless or hot-dip galvanised fixings. We saw a cabinet door hinge rust solid in eighteen months at a site near Tuen Mun ferry pier. Eighteen months.
Water: front service helps because you do not need rear access in a tight alley, but front-service doors are more exposed to driven rain. Check the door lip design and the gasket compression. Ask the factory for a water test video of the actual production batch, not a stock clip.
Wind: the structure matters more than the screen. In Hong Kong you need a registered structural engineer to sign off on the steel and the anchors, and the screen supplier should provide the cabinet weight and wind-area data. If a supplier cannot give you cabinet weight and wind load figures in writing, they have not thought about it.
This is the most common question and the answer is boringly geometric: it depends on the closest viewing distance. Here is how we decide it on site.
| Pitch | Dots/m² | Comfortable min. viewing distance | Best for | Cost relative |
|---|---|---|---|---|
| P10 | 10,000 | ~10 m | Façades, gantries, large walls, perimeter boards, warehouse yards | Baseline (cheapest) |
| P8 | 15,625 | ~8 m | Medium façades, retail where people approach to 8–10 m | ~1.3–1.6× P10 |
| P6 | 27,777 | ~6 m | Retail frontage, lobby, places people stand close | ~1.8–2.5× P10 |
| P4–P5 | 40,000+ | ~4 m | Indoor/near-view, high-end retail | Much higher |
Rule of thumb we use: stand where your nearest viewer will stand, hold up a printed grid with 10 mm dots at arm's length, and if the individual dots bother you, go finer. If the content is mostly large text and solid blocks of colour, P10 reads fine at 12 metres and nobody complains. If the content includes faces, product shots, or small Chinese characters, P10 will make them look blocky and the client will blame the content designer. Also consider: a bigger P10 screen often communicates better than a smaller P8 screen at the same money, because total light output and physical presence beat pixel density for distant audiences. That is a real trade-off, not a sales line.
You do not have to fly, but you do have to do more than read an Alibaba badge. The steps that have actually caught problems for us:
Ask for the business licence and the factory address, then cross-check on a map. Many "manufacturers" are trading companies on a higher floor in the same building as the factory. Trading companies are not evil — some are very good — but you must know which one you are dealing with, because after-sales goes through them.
Video call, unannounced, during their working hours. Ask to walk to the production line and see the current batch. Ask to see the lamp reel labels and the IC markings. A real factory can do this in four minutes. A reseller will reschedule three times.
Request a pre-production sample module. Pay for it. Test it: run white at full brightness for 24 hours and watch for dead pixels and colour shift; run a grey ramp and look for banding; spray it lightly with water on the front seam and check ingress; measure the actual brightness with a meter if you have one.
Lock the BOM in the contract. Lamp brand and grade, IC model, PCB copper weight, PSU brand, cabinet material and thickness, mask type, refresh rate, and firmware version. "Or equivalent" is the phrase that removes all your leverage.
Inspection. For orders above a modest size, hire a third-party inspection during production and again before loading. The cost is small compared with discovering a wrong lamp bin after installation.
Spares. Order 3–5% spare modules, spare PSUs, spare receiving cards, and spare cables, and insist they come from the same production batch so the colour bin matches. This is the single most useful thing you can buy and the most commonly skipped.
It matters more than most buyers think, and it is where a cheap screen can be made to look decent or a good screen made to look awful. The common setup: a sending box (NovaStar / Colorlight / Linsn family) plus receiving cards in the cabinets, plus a media player if you are running scheduled content. Things to get right:
Resolution mapping. P10 at 960×960 cabinets means your total pixel count is whatever the physical size allows. Design your content to the exact pixel dimension, do not scale in the player, and keep text large. Small Chinese characters under 40 pixels high on P10 become unreadable mush.
Refresh and scanning. Match the configuration file to the actual module scan type; a wrong config gives you ghosting and flicker that no amount of brightness fixes.
Colour calibration. Ask for module-level calibration data. Without it you get the classic patchwork look where one cabinet looks greener than its neighbour. It is fixable on site with a camera and calibration software, but it costs labour.
Remote monitoring. A cloud monitoring card that reports temperature, PSU status, and dead pixels saves a truck roll. In Hong Kong labour for a site visit is expensive, so remote diagnostics pays for itself quickly.
We will not pretend nothing breaks. The failure pattern we see, in order:
Power supply failure — most common, especially in hot, enclosed installations. Mitigation: derate PSUs to 80%, ensure airflow, keep spares.
Module dead rows/columns — usually a ribbon cable or a connector loosened by vibration, or a bad solder joint. Mitigation: proper cable routing with strain relief, and spares.
Water ingress at doors and cable entries — Mitigation: photo the seals, drip loop on every cable, entry points facing down.
Colour drift between batches — Mitigation: buy all modules in one order from one batch, keep spares.
Controller or sending card death after a lightning surge — Mitigation: proper earthing, surge protection on signal and power, and a UPS for the control gear. In Hong Kong thunderstorm season this is not optional.
Structural corrosion — Mitigation: galvanised or stainless fixings, paint touch-up, annual check.
Warranty wording matters. "Two years warranty" without detail means the supplier ships you parts and you pay the labour and freight. What we try to get: parts free, freight shared, and a clear response-time commitment, plus the option of local third-party servicing in Hong Kong so you are not waiting on a visa and a flight. Some suppliers will agree to hold a small spare kit with a local AV company. That arrangement is worth more than a slightly lower price.
Depends on your tolerance for project management. Buying FOB from a China P10 LED display manufacturer and handling structure, electrical, installation, and commissioning locally gives you the lowest hardware cost but puts every interface risk on you — the screen arrives, the steel is two days late, the electrician booked another job, and suddenly you are paying storage and wondering whose fault the delay is. Turnkey from a Hong Kong integrator costs more, sometimes 30–50% more on the total, but you get one party responsible for the whole thing including the structural submission and the post-installation callout. For a one-off install on a occupied building, we usually recommend turnkey. For a repeat buyer doing multiple sites with their own maintenance crew, FOB plus self-install is where the savings are real.
Typical production lead time for a standard outdoor P10 order is 15–25 working days after deposit and drawing approval, longer if the lamp bin or cabinet is non-standard. Shipping by road from Shenzhen to Hong Kong is fast — often next day — but you still need to allow time for customs documentation, and for any item that requires special handling. Oversize cabinets may need a tail-lift vehicle. Installation on a busy street needs traffic management and often has to happen at night. The screen is never the critical path; the scaffolding, the lifting permit, and the power upgrade are. Plan backwards from the date you need it on, and add two weeks for things that always happen.
Also: voltage. Mainland-built screens are typically designed for 220–240 V, which suits Hong Kong fine, but confirm the input range and the plug/breaker spec, and have a qualified electrician do the final connection. Do not let a general worker wire a 30-amp three-phase feed because "it looks simple".
Q: Is P10 too coarse for a shop front in Causeway Bay?
A: If pedestrians pass within 3–5 metres, yes, it will look coarse. Go P6 or P5 for the lower portion and keep P10 only if the screen is mounted high and viewed from across the road. Mixed-pitch installs exist but they complicate the control system.
Q: Can P10 show video?
A: Yes, but design the video for low resolution — big shapes, high contrast, minimal fine detail, and avoid slow gradients which band visibly on coarse pitch. Motion hides pixelation better than static images.
Q: How long will it last?
A: With decent lamps and proper thermal design, 50,000–100,000 hours to half brightness is the quoted figure; in practice in Hong Kong heat, expect noticeable brightness drop after 4–6 years of daily long-hour use. The electronics will likely need attention before the LEDs die.
Q: Does a higher refresh rate matter if nobody films it?
A: Not much. 1,920 Hz is fine for naked-eye viewing. Pay for 3,840 Hz only if cameras will point at it, or if you notice flicker in your own peripheral vision on site.
Q: Should I buy single-colour or full-colour P10?
A: Single-colour P10 is far cheaper and perfectly adequate for text, prices, and simple graphics. If you ever want video or photographic content, full-colour is the only option, and you cannot upgrade later — the lamps are what they are.
If I were spending my own money on an outdoor P10 screen in Hong Kong tomorrow, I would pick a mid-tier Shenzhen maker with a verifiable factory, lock the lamp brand and IC in the contract, insist on 3,840 Hz and auto-brightness sensing, order 5% spares from the same batch, pay for a pre-shipment inspection, and spend the saved money on better steel, proper earthing, and a local integrator to hang it. The screen itself is a commodity; the structure, the power, and the commissioning are where the job lives or dies. And I would not buy P10 for anywhere people stand closer than eight metres, no matter how good the price looks. That last one I learned by watching a client stare at a screen he had approved and say, quietly, "it looks like a mosaic." He was right. We had told him it would be fine at that distance and we were wrong.
What does P10 mean on an LED display? P10 means a 10 mm pixel pitch, giving 10,000 dots per square metre; it suits viewing distances of roughly 10 metres and beyond.
What is the standard P10 module and cabinet size? The common module is 320 mm × 160 mm; typical outdoor cabinets are 960 mm × 960 mm (some makers use 1000 mm × 1000 mm).
How much does a P10 outdoor LED screen cost per square metre? Full-colour outdoor P10 typically ranges from low to mid hundreds of USD per m² FOB depending on lamp brand, brightness, cabinet, and refresh rate; single-colour is much cheaper. Final installed cost in Hong Kong must add structure, control system, installation, and electrical work.
Are China P10 LED display manufacturers reliable? Many are, but the market mixes genuine factories with trading companies; verify with a licence check, an unannounced video walk-through, a paid sample module, and a locked bill of materials.
P10 vs P8 vs P6 — which should I choose? Choose by closest viewing distance: P10 from ~10 m, P8 from ~8 m, P6 from ~6 m; for near-view retail or small text, go finer than P10.
What brightness do I need in Hong Kong? At least 5,500–6,000 nits for an unshaded south-facing façade, with an auto-brightness sensor so it dims at night to save power and extend LED life.
Is P10 OK for coastal or typhoon-prone sites? Yes if specified properly: IP65 front with verified seals, conformal coating, stainless or hot-dip galvanised fixings, fanless or protected cooling, and engineer-signed steel for wind load.
What warranty terms should I insist on? Two to three years with free parts, clear freight and labour terms, defined response time, and a spare kit held locally.
How long does production and delivery take? Typically 15–25 working days for standard outdoor P10 after deposit and drawing approval, plus shipping and installation time; the structure and permits usually take longer than the screen.
Can I visit the factory or inspect before shipment? Yes — arrange a visit to Shenzhen or use a third-party inspection company for pre-production and pre-loading checks; for most buyers this is the highest-value money spent on the whole job.